Monday, September 20, 2010

Pacino, Pesci, DeNiro & Scorsese Re-Team


Talk about some talent working together.

Al Pacino and Joe Pesci are said to be circling the mob drama "I Heard You Paint Houses," which Martin Scorsese and Robert De Niro have been working on together for Paramount Pictures according to Deadline.

Scorsese is attached to direct and De Niro will play Frank "the Irishman" Sheeran, a mob assassin reputed to have carried out more than 25 murders. The title refers to mob slang for contract killings.

Steve Zaillian will adapt author Charles Brandt's 2004 novel. The author befriended Sheeran shortly before the latter's death in 2003 and among the crimes Sheeran confessed to Brandt was the killing and dismemberment of Jimmy Hoffa on the orders of mob boss Russell Bufalino.

Pacino has worked with De Niro in the Michael Mann-directed classic "Heat," as well as "Righteous Kill." Pesci and De Niro teamed with Scorsese on "Goodfellas," "Casino" and "Raging Bull."

Anytime these names are mentioned in regards to a project, its hard not to keep an eye on it. Scorsese recently worked on the pilot for "Boardwalk Empire," which looks to be absolutely superb, and this feels just right for him. But there's no telling if this will be Scorsese's next project though. He's in the middle of filming "Hugo Cabret" for next Christmas and he's attached to plenty of other things as well.

But while nothing is totally set in stone, if the project develops as it should, this could be one that can't be missed.

Four More Catch Soderbergh's "Contagion"


The more news I hear about Steven Soderbergh's new project "Contagion," the more excited I get about it.

The ensemble thriller is really starting to come together and take shape now with the additions of Demetri Martin, Jennifer Ehle, Bryan Cranston and Elliott Gould to the cast, reports The Playlist.

Soderbergh might be one of the best in the business at handling large, talented casts. Of course there is "Ocean's 11," but those films were comedies. What I think of is the 2000 film "Traffic," which was an ensemble drama and I think was one of the best films of the last decade.

Soderbergh's new film seems to be stepping into "Traffic" type territory once again, which is the reason my excitement is peaking.

Scott Z. Burns penned the script which looks at the impact a global virus outbreak has on certain characters in all sorts of different continents. The already amazing cast includes--Matt Damon, Kate Winslet, Marion Cotillard, Laurence Fishburne, Gwyneth Paltrow, Jude Law, John Hawkes, Chin Han and Josie Ho.

Soderbergh will use the regular RED cameras he used on "Che" and "The Informant" to shoot film and it won't be in 3-D, which is even more great news to me. This film will absolutely be in the awards race when the time comes.

If you haven’t seen "The Informant!," please do. It's so underrated and Matt Damon's performance was amazing. Don't sleep on Soderbergh.

Filming kicks off this month in Hong Kong and Chicago.

Tuesday, September 14, 2010

Classic Album Review: LL Cool J, “Mama Said Knock You Out”


For some of the younger or at least less-informed generation, LL Cool J isn't known as a rapper, he's an actor. But it's not their fault they didn't grow up in the 80's. I'll always associate the man with "Radio", his debut album, which was a massive success. Either way, we know the man can act, but he can also rap quite a bit as well.

Following his electric 1985 debut, he released "Bigger and Deffer" two years later, which again was a critical and commercial success. His third album, "Walking with a Panther", released in 1989, while a well-selling album, it was criticized by many fans and critics alike for being too materialistic and "commercial". Simply put, it was a dud compared to his previous efforts.

Increasingly dismissed by hip-hop fans as an old-school relic and by some as a pop sellout, the rapper was fueled by the desire to regain some of those same fans back. With all that coming at him, LL Cool J headed back into the studio to work on his fourth album, which would become "Mama Said Knock You Out".

The album was released in August of 1990 and went on to become his biggest-selling album ever. Producer Marley Marl helped LL Cool J get back some of the hard-edged attitude he had seemingly lost, and did an excellent job of striking a balance between attitude and accessibility.

"Mama Said Knock You Out" is a consistent and entertaining record, with some great tracks littered throughout. The album produced four hit singles, and, while the title track is as good as advertised, "The Boomin' System", "Around The Way Girl", "6 Minutes of Pleasure", and "To da Break of Dawn" are all excellent as well.

"The Boomin' System" was the first single released from the album, and is one of the rapper's best. The track is a nod to all the bass-loving boys with car stereos that were riding around shining when this album was making the rounds. It reminds me of his original debut, "Radio", which is a welcome comparison, especially after his so-so previous album.



LL Cool J is one of the most skilled rappers at setting the scene, and he does it perfectly here as he raps: "You know it's funky, funky, funky cos you heard it from hear-say/A jam that you love that don't be gettin no airplay/Strictly for frontin when you're ridin around/12 o'clock at night with your windows down/Headlights breakin cos your batteries drain/Armor all on your tires and a big gold chain."

"Around the Way Girl" is a track that shows how LL Cool J learned from his mistakes on his last album. This track could easily have been part of his previous effort, since it's a ballad to the ladies, but this time around the track is a winning formula of a slick beat, and solid lyrics.



LL Cool J knows how to be smooth and cocky all at the same time as he raps: "I want a girl with extensions in her hair/Bamboo earrings/At least two pair/A Fendi bag and a bad attitude/That's all I need to get me in a good mood/She can walk with a switch and talk with street slang/I love it when a woman ain't scared to do her thing."

"Mama Said Knock You Out", while one of the most popular on the album is also one of my favorites. The track has one of the all-time great inspirational stories behind its creation. LL Cool J's career was in a downturn before this album, so his grandmother told him to "knock out" all the critics. The rest is history.Produced by Marely Marl, with some help from Shadman Kaiser and LL himself, the track reached number 17 on the Billboard Hot 100, and won the Best Rap Solo Performance at the Grammy Awards of 1992.



The opening line of the track is legendary all by itself. When you hear LL Cool J spit: "Don't call it a comeback / I've been here for years", it's impossible not to realize that he did not enjoy being criticized for his last album. He is more keyed up here that on any track, and his lyrics come at you full force. You can hear how personal to him this all is as he raps: "Don't u call this a regular jam/I'm gonna rock this land/I'm gonna take this itty bitty world by storm/And I'm just gettin warm/Just like Muhummad Ali they called him Cassius/Watch me bash this beat like a skull.

"Mama Said Knock You Out" is great music, and it was a glorious return for LL Cool J, and he should be proud of this effort. The production on the slower tracks are smooth and soulful, but still funky, making the ladies'-man side of LL Cool J the most convincing it had been, which is a welcome change from his last album.

LL Cool J shows that he is a pro in every sense of the word, and on this album he regained the credibility that had begun to wear away from him. While "Mama Said Knock You Out" may not have been as electric as "Radio", it is just as good and is most definitely a hip-hop classic.

Friday, September 10, 2010

Andrew Garfield Spins His Web Finally on New Role: Movie News


British actor Andrew Garfield has finally spoken about scoring the role of Peter Parker in the planned "Spider-Man" reboot for Sony Pictures. Speaking with The Hollywood Reporter at the Telluride Film Festival over the weekend, the star of "Never Let Me Go" said the following:

"I have been waiting for this phone call for 24 years, for someone to call me up and say, "Hey, we want you to pretend to be a character that you’ve always wanted to be all your life and we’re going to do it with cool cameras and cool effects, and you’re going to feel like you’re swinging through New York City. Do you want to do that?

“'Let me just consult with my seven-year old self and see what he thinks...' So, my seven-year-old self started screaming in my soul and saying, This is what we’ve been waiting for. Like every young boy who feels stronger on the inside than they look on the outside, any skinny boy basically who wishes their muscles matched their sense of injustice, God, it’s just the stuff that dreams are made of, for sure.

It’s a true f*cking honor to be part of this symbol that I actually think is a very important symbol and it’s meant a great deal to me, and it continues to mean something to people. So yeah, I feel like I’ve been preparing for it for a while. Ever since Halloween, when I was four years old and I wore my first Spider-Man costume."

Garfield adds that he's begun training for the role with the focus being on flexibility. However, things are still early so he doesn't really have much to say about it. Filming on the Marc Webb-directed project kicks off in December.

It's a few quotes, but the point being is that this is an actor to watch. Just check out the trailer of the film "Boy A" from overseas. You only need to see a few minutes to see how good he is.

Or hell, even watch "The Social Network" trailer again to see how talented this kid is. Marc Webb and Garfield together is any true Spider-Man fan's best case scenario. These are two supremely talented individuals.

And please go see "Never Let Me Go," or at least read the book. The movie will be great and the book is heartbreaking and just genius. The film will be released on September 15.

There's been no official word yet on the story of the new Spider-Man flick, but I'm sure rumors will start spreading like wild fire.

Olivia Thirlby, IM Global Make Judgment About "Judge Dredd"


Any fans of the original "Judge Dredd" series must have cringed at the sight of the 1995 Sylvester Stallone version. I was only eight, so you can forgive me for thinking that it was a fun action movie to watch. Thankfully, now I am older and wiser, and so is the studio that's rebooting the franchise.

Just added to the cast of the new film is the talented young actress, Olivia Thirlby ("Juno"), who has scored the role of Cassandra Anderson according to Variety.

The character is described as a telepathic rookie who shadows Dredd in this $45 million futuristic neo-noir comic book adaptation starring Karl Urban as the enforcer delivering justice to the streets of Mega-City One.

The film will be in 3-D (groan). The character’s inclusion is just one of many indications that the reboot will embrace its original comic book source material. Thank God for that.

An official synopsis has been released. It has Mega City One as "the lone oasis of quasi-civilization on Cursed Earth," while Dredd "is the most feared of elite Street Judges, with the power to enforce the law, sentence offenders and execute them on the spot--if necessary." Essentially, all of this says it will be a return to the "dark, visceral incarnation" of the character seen in the original comics. And thanks God for that--again.

Pete Travis ("Vantage Point," "Omagh") directs from a script by Alex Garland ("Sunshine," "28 Days Later"). Garland is one of the best writers out there and is underrated in his own right, having worked on "The Beach" and Danny Boyle's "28 Days Later."

So far, “Judge Dredd” comic creator John Wagner has been pleased with the film’s faithful comic pre-production content, as has star and longtime “Dredd” reader Karl Urban.

With the two of those thinking things are looking good, it might actually mean things are looking good. Honestly, anything compared to the Stallone movie would be better, but it's good to get it accurate for once.

With casting almost complete, "Judge Dredd" will debut in 2012.

Caine Joins a New "Journey"


For quite some time, Michael Caine has been one of my favorite actors...which is sort of like saying that you enjoy The Rolling Stones. They've been around forever, they have a ton of fans--so what if you like the?

Well, I do enjoy Michael Caine, and especially recently in his collaborations with Christopher Nolan on both "Batman" films, "The Prestige" and the absolutely stunning "Inception." He is about to add a bit more to his already impressive resume.

According to Heat Vision, Caine is in final talks to star in the sequel of "Journey to the Center of the Earth 3D," titled "Journey 2: The Mysterious Island."

Josh Hutcherson reprises his role from the first movie as a young man who, along with his mom's boyfriend (Dwayne Johnson), goes on a trip to a mythical island to find his missing grandfather.

Caine will play the grandfather, who gets himself involved in several action and chase sequences, including one involving giant bees. Sitting around is one thing Caine won't be doing in this film.

Brad Peyton directs from a script loosely based on Jules Verne's "The Mysterious Island." The movie will shoot in Hawaii and then move to North Carolina.

Although Caine doesn't often find himself in youth-oriented films, this one should be pretty successful. The first film made a decent amount of money and now that Hutcherson is a bit older (and after starring in "The Kids Are Alright"), he is about ready to breakthrough big time.

Liam Neeson Sinks Into Berg's "Battleship"


After starring in "The A-Team," I guess Liam Neeson has decided he likes starring in big-budget summer action films. Accoring to the Hollywood Reporter, Neeson is set to join the cast of Peter Berg's "Battleship."

Neeson will play Admiral Shane, a navy admiral and the future father-in-law of the lead officer character (Taylor Kitsch). Brooklyn Decker stars as Shane's daughter, Alexander Skarsgard as the brother of Kitsch's character and Rihanna as a weapons analyst.

Based on the Hasbro board game, the story centers around a battle on land, sea and the sky between earth's forces and attacking aliens with most of the action set on the USS John Paul Jones.

Brian Koppelman and David Levien are revising the previous script draft by Jon Hoeber and Erich Hoeber.

The addition of Neeson always makes me more inclined to see a film, and usually makes it a bit better in the process. At least his performance is always good. For example, consider him in "The Phantom Menace." He was the only decent actor in that film. So, this is definitely a good casting move and although the film's budget will be extremely high, they have some good talent aboard.

That said, it's precisely that budget that may be the film's downfall. The more money it makes, the higher the expectations, so if it doesn’t do very, very well when it opens, this ship will sink. Nevertheless, Kitcsh and Berg are both underrated in their fields, and I'm intrigued to see what Rihanna can bring to the table.

Neeson will next be seen in "The Next Three Days," directed by Paul Haggis, and "The Chronicles of Narnia: The Voyage of the Dawn Treader."

"Battleship" is set for release on May 18, 2012.

Tuesday, September 7, 2010

Classic Album Review: Nas, "Stillmatic"


When your debut album is hailed as the savior of hip-hop and one of the greatest albums of all-time, how do you follow that up?

Nas' "Illmatic" was and still is one of the best hip-hop albums ever, and easily one of the best debut albums by any artist, but his follow-up works, "It Was Written", "I Am..." and "Nastradamus", while decent, were considered mediocre in comparison by critics to his first album.

On top of all that he and Jaz-Z had gotten into a bit of a feud, so things were getting tense within the world of Nasir Jones to say the least. It had been two years since Nas released a record, so it was an excellent time to get back into the studio.

Under these circumstances Nas got to work on a new album, "Stillmatic", and needless to say, he had a lot to fuel his fire.

Released in December 2001, the album was a huge hit with critics and fans alike, and in a way reinstated Nas at the top of the hip-hop industry. The album is stacked from top to bottom with great tracks, but "Ether", "You're Da Man", "One Mic", "Rule", and "Destroy and Rebuild", stand out above the rest.

One of the most popular tracks off the album, "Got Ur Self A…", will forever be connected with the theme song from "The Sopranos", but to me, that's not such a bad thing. "Smokin'" is a solid track as well, as is "Rewind", but the above mentioned ones are some of the best tracks of all-time."Ether", in my opinion is one of the best diss tracks of all-time. The song was a response to Jay-Z's "Takeover", a diss track towards Nas which appears on Jay-Z's album "The Blueprint", during the rapper's feud. It's clear from the name and subject matter that Nas would bring the fire on the track, and he proves it here.



You can truly hear how strongly Nas feels in his hate for Hova (at the time), as he raps: "How could Nas be garbage?/Semi-autos at your cartilage/Burner at the side of your dome, come outta my throne/I got this, locked since '9-1/I am the truest, name a rapper that I ain't influenced."

"One Mic" is one of my favorite tracks on the album, and I think it's one of Nas's best from his lengthy career. The emotion he performs it with, the beat, the lyrical content, all combine to make just an all around fantastic track.



The track samples the Phil Collins song "In the Air Tonight", and the way Nas flows on through the lyrics, from slow to fast, soft to hard, pull you in close and shows how personal the track is to Nas. It's him and the mic. The chorus of the track is simple and still is one of the best ever.

His last verse though is what I think makes this track legendary. Nas is an absolute force as he raps his last verse with some passion: " [starting loud this time, getting quieter] All I need is one life/One try/One breath I'm one man/What I stand for itself/ They don't understand/Or wanna see me on top, too egotistical/Talkin all that slick shit, the same way these bitches do…". I was compelled to throw up the whole verse here because it's so good, but it's decently long as well. Nevertheless, it's fantastic.

Perhaps the reason I am biased in my liking of "You're Da Man" is because one of my college roommates played the song so often, but besides that, I still think it's one of Nas's best tracks.



It's an introspective look at the man, and Nas does a great job of talking about himself, his success and his career without being cocky. He's egotistical but not a snob, and looks over what it takes to stay at the top of the game.

Always one to be aware of his standing, Nas delves into what it takes to stay alive in the industry: "They plan was to knock me out the top of the game/But I overstand they truth is all lame/I hold cannons that shoot balls of flames/Right in they fat mouth then I carve my name/Nas - too real, Nas - true king/It's however you feel, g'head, you swing/Your arms too short to box with god/I don't kill soloists only kill squads/Fame went to they head, so now it's "Fuck Nas"/Yesterday you begged for a deal, today you tough guys."

The tracks stand alone all by themselves. There's no doubt that "One Mic" will stand the test of time as one of the best tracks ever, and although the feud may be over now, "Ether" still simmers.

"Stillmatic" was a great return for the rapper, and although it isn't quite as good as "Illmatic" (what is?), it still is one of Nas's best albums of all time, and a hip-hop classic.

Know This Man's Name: Andrew Garfield Speaks About Spider-Man


British actor Andrew Garfield has finally spoken about scoring the role of Peter Parker in the planned "Spider-Man" reboot for Sony Pictures. Speaking with The Hollywood Reporter at the Telluride Film Festival over the weekend, the star of "Never Let Me Go" actor said the following statement:

"I have been waiting for this phone call for 24 years, for someone to call me up and say, "Hey, we want you to pretend to be a character that you’ve always wanted to be all your life, and we’re going to do it with cool cameras and cool effects and you’re going to feel like you’re swinging through New York City. Do you want to do that?"

“Let me just consult with my seven-year old self and see what he thinks...” So my seven-year-old self started screaming in my soul and saying, This is what we’ve been waiting for. Like every young boy who feels stronger on the inside than they look on the outside, any skinny boy basically who wishes their muscles matched their sense of injustice, God, it’s just the stuff that dreams are made of, for sure.

It’s a true f*cking honor to be part of this symbol that I actually think is a very important symbol and it’s meant a great deal to me, and it continues to mean something to people. So yeah, I feel like I’ve been preparing for it for a while. Ever since Halloween when I was four years old and I wore my first Spider-Man costume."

Garfield adds that he's begun training for the role with the focus being on flexibility, "making sure that I can be as flexible as possible." However things are still early so he doesn't really have much to say about it. Filming on the Marc Webb-directed project kicks off in December.

It's a few quotes, but the point being is that this is an actor to watch. Just check out the trailer of the film Boy A from overseas. You only need to see a few minutes to see how good he is. Or hell, even watch The Social Network trailer again to see how talented this kid is. Marc Webb and Garfield together is any true Spider-Man fan's best case scenario. These are two supremely talented individuals.

And god please go see "Never Let Me Go", or at least read the book. The movie will be great, and the book is heartbreaking and just genius. The film will be released on September 15.

Monday, September 6, 2010

You Got An Article in Whaaaat>?


Anyone who's checking out this post right now firstly I want to say thanks for taking time at of your busy day to look at a blog about nothing. But to the task at hand.

Okay, I'll be the first to admit (right now) that The New York Times, this isn't. But somehow, someway, I got the name in print in the end of summer issue of CHAOS Magazine, which is based out of San Francisco

Best I could do are these digital snapshots from the mag, so I apologize for the blurriness, but if you actually want to read the article, I'll throw it up on the Breeze right under this post.

Check out page ONE, TWO, THREE, and, FOUR if you've got a hot minute.

Thanks for taking the time to check it out if you do, but if not, maybe there will be more someday.

You gotta believe.

Chaos Magazine Article Page Uno



The simple act of getting from point A to point B has become a bit more fashionable recently. Bicycles have been around for ages. The chosen vehicle of pre-teen kids, riding enthusiasts, park visitors, and local delivery guys is a common, eco friendly way to travel. But in recent years it's not just regular ten gear or mountain bikes that have caught on but instead fixed wheel bikes, or free wheel bikes, have started to become the craze.

Simply, a fixed-gear bicycle (or fixed-wheel bicycle) is a bicycle that has no freewheel, meaning it cannot coast — the pedals are always in motion when the bicycle is moving. If you’re trying to ride up a hill, you have to push through it, and if you’re trying to ride down, don’t let those pedals move too fast, or there could be trouble. There’s no shifting gear and the chain is a bit shorter than on your normal bicycle. Oh, and there’s another difference, a fixed gear bike, or “fixie” as they are known by some who ride them, have no brakes. On fixed gears, the sprocket is screwed directly onto the hub, so when the rear wheel turns, the pedals turn in the same direction. This type of framework allows a cyclist to stop without the use a brake, and also to ride in reverse.

The way to stop the bike leaves the rider with an interesting choice: slow down gradually by reversing the pedals, or pulling a skidding stop. This leaves the old adage of “it’s just like riding a bike” something to be desired. What it means is that it’s pretty hard to ride gracefully on your first try, let alone safely. The skid stop is popular among veteran cyclists, and requires the rider to shift their weight slightly forward and pulling up on the pedals. The rider then stops turning the cranks, thus stopping the rear wheel, while applying his or her body weight in opposition to the normal rotation of the cranks.

This action causes the rear wheel to skid, which acts to slow the bike. The skid can be held until the bicycle stops or until the rider desires to continue pedaling again at a slower speed. Since sliding friction is less than sticking friction, once the tire begins to skid, you will usually be able to maintain the skid until you've stopped or at least slowed down as much as you want too. Mastering the skid requires a little practice and using it while cornering on a street is considered dangerous.

Chaos Magazine Article Page Dos



This begs to ask the question, why would anyone want to ride a bike that removes the breaks? Well, it’s because they are pretty damn cool. The bicycles are an interesting combination of fashion and freshness, a new accessory for people to show off.

Although the trend has become very popular just in the past few years, fixed gear bikes have a lot of uses, including in sport, as well as art, and they actually date all the way back to the mid 19th century.

Fixed gears were the first type of racing bike in the United States, originally used in competition in the late 1880’s as well as after the turn of the century.

After losing a bit of steam over time, they regained their popularity in the 1950’s and 60’s in both the United States and the United Kingdom, where they were used for club runs, touring and winter training. After fading out of the scene once again, the bikes became extremely popular in the 1980’s with bike messengers, especially in New York City.

The streets, which are filled with potholes, errant cabs and pedestrians, can be a nightmare, but the simplistic style, low maintenance and light weight of the fixed gear bike eases the chaos for messengers.

Daniel Barnes is a bike messenger who frequents an office in my building where I intern, and he is more than happy with what his bike provides him. The beat up, blue and gold frame has lasted for three years, and Daniel doesn’t think he’ll need a new one anytime soon.

“It’s perfect for me,” he says as he takes his shoulder bag off to deliver a package. “It took me a while to master the whole skid breaking thing, but once I got the hang of it, it was easy.” He laughs, showing me a small scar on his hand. “Although I have to admit I did fall off a lot those first few weeks.”

The bikes are also used in what are known as “alleycat races”, which usually take place in big cities and are often organized by bike messengers themselves. The first actual “Alleycat” race took place in Toronto in 1989, and races have taken place in cities all over the world.

The race is usually comprised of different checkpoints the rider must reach, but can also be based on point collection. Depending on the location, races may be less competitive and designed to be enjoyed during holidays, such as NYC's Alleycat, which is held July 4th. Sometimes they can be extremely tough, with the goal to weed out all but the fastest and best overall rider.

“Monstertrack” is an alleycat-racing event that was started for a small, close group of NYC bike messengers, but in recent years due to word spreading on the Internet and surge in fixed gear bike popularity has attracted riders from all over. It currently is billed as the largest alleycat race in the nation.

As mentioned before, fixed gear racing can be dangerous, and the death of rider Matt Manger-Lynch in the Chicago Monstertrack in 2008 is a sad reminder of the consequences of both riding the bikes and participating in the races.

Many non-couriers have taken to organizing races and calling them alleycats as well. Organizers in urban areas are usually former messengers or part of a larger community of cyclists.

The races can be highly creative and often themed with issues important to the riders like NYC's 4/20:Hip to be Square, and Baltimore's GhettoBlaster. Also, the Global Warming Alleycat was held in 2007 simultaneously on the same day in Toronto, San Francisco, Mexico City, Berlin, and NYC.

Alleycats have occurred in major cities all over and have expanded to smaller places over the last few years. As a result of the dangerous nature of the sport as well as varying local laws an alleycat is almost never a fully legal undertaking, which for many riders enhances the excitement of the races.

Fixed gear bikes are also used for an array of different sports all around the world, including Cycle Ball and Cycle Polo.

Bicycle polo is a team sport that came around in the late 1800’s and is similar to the traditional sport of polo, but instead of using horses, the athletes play while riding their bikes. The sport is officially recognized by the International Cycling Union, and today there is organized polo being played in a slew of countries including Argentina, Australia, Canada, France, Germany, Great Britain, Sweden, Switzerland and USA.

Cycle ball is a sport that is most similar to football (or soccer), but is played on bikes. The two people on each team ride a fixed gear bikes while controlling the ball with the bikes themselves, or by use of their heads.

Introduced in 1893, the sport held its first world championship in 1929 and has become popular in many European countries including Belgium, France, Germany Russia and Sweden.

Fixed gear bikes are also an integral part to Artistic Cycling, which is a form of competitive indoor cycling. The athletes perform tricks for points on the fixed-gear bikes in a format similar to ballet or gymnastics. The exercises are performed in front of a panel judges in six-minute rounds by singles, pairs, four- or six-man teams.

Chaos Magazine Article Page Three



These days though, the main purpose of the fixed gear bike has been as a fashion statement, mostly for the hipster crowd. The craze has taken on in cities such as San Francisco, London and New York, as well as in Portland and Reno.

Riders can customize their rides with an array of different colors and accessories including special handlebars, wheel covers, chain links and even multiple frame colors. Riders can also decorate their bikes using “spoke cards”, which simply is a card placed in the spokes of a bicycle wheel.

They were originally used to identify competitors in a race, but have since become something of a fashion statement along with the bikes themselves. Although the card is fairly hard to read while in motion, it provides a cheap way to label riders in the absence of a proper race number.

The spoke card is placed between the spokes of the rear wheel at the point where they cross each other. A card can be placed in such a way as to make a noise as the card flaps against the spokes, but that is up to the rider.

Many messengers retain spoke cards after events, sometimes accumulating several on the wheel. Many also use tarot cards, baseball cards and even regular playing cards (like for poker) to give their bikes some originality.

A deliveryman I spoke to had multiple business cards of his Chinese restaurant in the spokes, while Daniel the messenger had a baseball card of former Yankee Bernie Williams placed in his. “I played center field when I was in little league, so I naturally loved Bernie growing up when the Yankees won those World Series titles. He’s like a good luck charm.”

Spoke cards can also be used to serve such functions as memorials for fallen messengers, as art, and even for political affiliations. Many riders used them to show off their political views during the 2008 Presidential campaign, many supporting eventual winner Barack Obama.

Walking around Manhattan and Brooklyn it’s not uncommon to see fixed gear bikes chained up to stairways, fences, and parking meters all over. Especially downtown, in places like the Village and SoHo people are always riding around, but of course not ‘coasting’.

Most of the riders look like Eric, a bearded, shaggy haired twenty something that was on his way home from work on a stylish looking fixed gear bike, or Max, a tall guy with dreadlocks, who was riding along the West Side Highway one afternoon on a fresh looking green frame.

“I picked out this one because I really like the frame color,” Eric says as he points to the handlebar cover. “Brown is my favorite, and I like the striped pattern that’s mixed in. The straps on the pedals even match the frame. Plus these handlebars are sweet.”

Max had other reasons for picking his frame. “Yeah, the color is cool, but I’ll be honest, this one was the cheapest of the bunch, that’s why I picked it. Remember, we’re in a recession,” he says with a laugh.

Aside from fashion, in the past few years, especially in the Portland area and in ‘hip’ neighborhoods like Williamsburg, Brooklyn, extreme sport fans have taken to fixed gear bikes to perform tricks on, instead of the traditional BMX style bikes.

Due to the simplicity of the fixed gear bikes and their brake system, riders have more control over their vehicles and can thus expand their catalog of moves. They’re not just for bike messengers anymore.

Known by some as “fixed gear freestyle” the riders can easily perform tricks like bunny hops and bar spins, and as an added bonus, when the rider pedals backwards, the bike moves backwards opening up even more ideas for tricksters.

Before he rides away, Eric shows off an easy trick by pedaling in reverse, and then pulling a bar spin. “I used to ride BMX back in the day, but I think these bikes are much cooler.” He flashes a wide grin. “And look how simple that trick was. You can’t beat that.”

One such move that is used by many riders is the “track stand”. The technique allows riders to stay balanced on their bicycles while moving only minimal distances. Road cyclists and bike messengers use it while stopped in traffic, especially at red lights, but the move is also used by the BMX riders in preparation for tricks.

To do a basic track stand, the rider holds the bicycle's cranks in a horizontal position, with his or her dominant foot forward. Forward motion is accomplished simply by pedaling forwards. The handlebars are held at approximately a 45-degree angle, which allows the rider to keep the bike directly below his or her center of gravity.

Those proficient at the track stand can maintain the position for a long period of time. There are more difficult variations, but they are mostly for showing off or at track stand competitions. The more advanced moves involve complications such as putting the non-dominant foot forward, sitting down, or taking one or both hands off the handlebars.

Chaos Magazine Article Page Four


Fixed gear bikes have also been a boon to exercise fans that like to ride cycles for fitness. Since there is no coasting, riders must always keep their legs in motion, and when riding on an incline, they are forced to push harder than on regular cycles.

But the fixed gear craze hasn’t caught back on everywhere. In Berlin, Germany the police, citing safety as its main concern a few years ago, began to crack down on fixed wheel bikes. They claim the bikes, due to the way riders are required to stop, are a risk to automobiles and drivers, and in 2009 they confiscated 18 bikes. While this isn’t a big number, the point is clear, not everyone likes fixed gear bikes.

According to the law in some US states, the use of any bike without brakes on public roads is illegal, and in British Columbia the law states that any bike: "Must be equipped with a brake that will enable the person operating the cycle to make the braked wheels skid on dry, level and clean pavement." Some argue that the riders’ legs qualify here, so it’s a bit of a gray area.

But does a police crackdown make the bikes seem, cooler? Part of the fun seems to be the fact that at any point you could lose a bit of control while riding.

Speaking of losing control, another danger of fixed-gear bicycles is the possibility of something getting caught in the chain or one of the sprockets.

If you accidentally have a finger an article of clothing come into contact with the chain or a sprocket, the momentum of the wheel will keep the chain moving, heightening the chance of injury. What that means, if you catch a shoelace in the chain, it will get torn off or your shoe. If you catch a trouser leg, you can really get yourself hurt.

Veronica, a girl I spoke to in downtown Brooklyn is cautious when riding her navy blue fixed gear. “I absolutely love my bike, but I refuse to wear any type of dress or loose pants while riding,” she says while taking a break to smoke a cigarette. “I once knew a guy who lost a finger, or two fingers, something like that. Since then I just thought to be as safe as possible when riding so nothing would happen to me. I even check my shoelaces every time I am about to ride.”

Fixed gear bikes are fun and fashionable, but if the rider is inexperienced or uncoordinated, it poses a risk for the riders themselves, and anyone else around. Always remember, practice makes perfect.

Daniel the messenger supports anyone who is interested in fixed gear bikes, but thinks proper training and practice is key to fully enjoying them. “Even now I still mess up every once in a while, and I ride my bike nearly everyday. So anyone who is new to riding, I suggest you practice a bit before you start riding out in the streets just so you are comfortable. It’s safer for the rider themselves and just safer for everyone out on the street.”

Believe it or not, there are more bicycles in the world than cars. Well I guess that isn’t such a shocking statement, but either way, don’t be surprised if you see a lot more fixed-gear bicycles in your neighborhood, because it’s a craze that refuses to go away.

Sunday, September 5, 2010

You Have An Article in an Actual Magazine? Say Whaaaaat?


Anyone who's checking out this post right now firstly I want to say thanks for taking time at of your busy day to look at a blog about nothing. But to the task at hand.

Okay, I'll be the first to admit (right now) that The New York Times, this isn't. But somehow, someway, I got the name in print in the end of summer issue of CHAOS Magazine, which is based out of San Francisco

Best I could do are these digital snapshots from the mag, so I apologize for the blurriness, but if you actually want to read the article, I'll throw it up on the Breeze right under this post.

Thanks for taking the time to check it out if you do, but if not, maybe there will be more someday.

You gotta believe.